The expression range is excellent (you can actually HEAR the expression change and it doesn't feel like you're only turning up the volume like on many other libraries). I love the flexibility LASS gives and which I can't find in other libraries like Spitfire, Cinematic Strings or VSL. And since I'm using Cubase with Expression maps set up, it's just a matter of changing MIDI channels. But you have with LASS many divisis, and sections / full ensemble at hand, so it's a piece of cake to replace the out of tune note from a patch with another. ![]() My main complain would be that some notes are out of tune and it's really hurting my ears. ![]() I actually consider it to be the best strings library ever released. ![]() Hence my "do it completely once and it's done" comment. I load the entire string orchestra by importing it from a Template session in Logic. It took me a day to set up all the microtuning, stage & color, eq the way I wanted it but now I NEVERload patches into my sessions. For my longs, I have a CC switch that turns AA on/off. The benefit of splitting shorts and longs, apart from mixing, is that I have 3-part auto arrange on automatically for all my shorts. ![]() Then you do that nine more times & you're ready to write music Then they're grouped by keyswitch using the Keyswitch tab of the ARCĪ-1 becomes the Spiccato keyswitch, so it "contains" Midi Ch 2+3+4+5īb-1 becomes the Staccato keyswitch, so it contains Midi 6+7+8+9
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |